Revolver Magazine6/12/2026
6 best new songs right now: 6/12/26Here at Revolver, we re always on the hunt for new songs to bang our heads to — indeed, it s a big part of our jobs. With that in mind, here are the tracks released this week in deathcore, black metal, goth rock and more that have been on heavy rotation at Revolver HQ. For your listening pleasure, we ve also compiled the songs in an ever-evolving Spotify playlist. Chat Pile Deep Blue Though Chat Pile said they were channeling the “fake Led Zeppelin” vibes of English rocker Robin Trower on their new single, we feel like the Oklahoman noiseniks might be putting us on a bit with that comparison. Rather than let the good times roll with cocksure bluesy swagger, “Deep Blue” harnesses dire, detuned, avalanche-triggering sludge lines. Vocalist Ray Busch is existentially deflated, exhausted by technology and frustrated by the false narrative we create for ourselves as we “move deeper into screens.” Maybe that emptiness lines up with the lines of Trower’s “Lonely is the Night,” after all. Hulder View From Nemeton” We’re days away from summer and the sun is only getting brighter, yet gloom-casting Pacific Northwest black-metal duo Hulder are here to remind you that living in Washington State through the rest of the year can feel like having a soggy gray curtain drawn over your eyes. That said, their “View From Nemeton” is looking pretty good to us. A vicious vista of blast-manic drums and blistering trills flood the front-end of the epic cut, though it gets down right jubilant in the power-swung guitar solo section. Imminence The Sword That Never Bends Imminence’s new single is forged in steely screams, iron-wrought riffage and darkly anthemic melodies that cleave through the speakers like the mighty Excalibur. Even so, it’s still a damn delight when vocalist Eddie Berg brings his violin bow out of the scabbard to supply a few sweeter lines to this otherwise brawny beater. The Swedish band s first single for Sumerian Records arrived with a medieval music video full of sword-swinging battles and sorcerous showdowns, apparently teasing the visual aesthetic behind their next album. Whatever pops up next, if it’s anything like “The Sword That Never Bends,” it’s sure to be magical. Madball Tethered “Tethered” follows the dub-lite and anthemic rock explorations of last month’s single “Rebel Kids” with tried, tested and true NYHC gusto. In other words, Madball are bringing tough-as-leather riffs and cement-shattering grooves to the table, while vocalist Freddy Cricien mean-mugs on the mic about hard-knock livin’ on the “savage streets” of New York. “News flash, I m still here,” the singer shouts on the track. And, indeed, Madball deliver a veteran’s beatdown here — old man strength, if you will. To paraphrase Cricien s latest street-wise tale of perseverance, we re psyched Madball are “still on this wild-ass ride.” Marilyn Manson Exit Wound “I m the one. The godforsaken one.” Marilyn Manson is a veritable downer Dr. Doolittle on this first taste of his impending and long-awaited One Assassination Under God – Chapter 2, finding himself encircled by a pack of ravenous vultures and leeches. It’s the shock rocker that delivers the beastliest blow by song’s end, as he lets out an animalistic scream above a brooding fracas of slinky hi-hat grooves and see-sawing industrial riffage. There’s a line in here about swallowing a grenade, perhaps an unintended allusion to how the rest of the record could pop off big when it lands in the summer. Rev3rent - Last One Here Rev3rent’s Josh Bailey Guard is on a tear throughout his deathcore group’s ruthless new song, smearing viscera on the walls of your mind with a series of brutal screeches about “disfiguring your innocence.” From the speed pill-snorting blast sections and lightning-speed hammer-on harmonies, to the bone-snapping moshes, to the subsonic bass drops, a no-holds-barred savagery rattles each second of “Last One Here.” Filled with hate and high-energy depravity, it’s a killer next step for Rev3rent.