Also featuring additions from Allt, Lost In Kyiv, and more, these are the songs added this week to Metal Injection's top tracks of the week.

Music Intelligence
2026-07-22
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Also featuring additions from Allt, Lost In Kyiv, and more, these are the songs added this week to Metal Injection's top tracks of the week.
'I, Scvlptor' is the upcoming record from Black metal group, Behemoth, and is scheduled for release on September 4.
Here at Revolver, we re always on the hunt for new songs to bang our heads to — indeed, it s a big part of our jobs. With that in mind, here are the tracks released this week in gothic metalcore, blackened death metal, straight-edge hardcore and more that have been on heavy rotation at Revolver HQ. For your listening pleasure, we ve also compiled the songs in an ever-evolving Spotify playlist. Allt Omertà Though the rules of “Omertà” suggest we not run our mouths about Allt’s latest killer track too much, we’re shouting it out loud that the Swedish unit once again bring it big. Shots are fired from the jump, with cannon-blast kick work and 12-gauge riffage pumping beneath Robin Malmgren s beastliest proclamations. That said, the singer also flaps his gums with triplet-spat, near-rap-styled accents and a briefly crooned break. Interestingly, this continues Allt’s current trend of naming their singles after huge-ass metal anthems. They went post-Sabbath with this spring’s “Snowblind” single, and “Omertà” shares its name with a Lamb of God classic. Talk about setting the bar high. Behemoth I, Scvlptor “I am the hammer and thou art the stone.” Nergal has described the title track of Behemoth’s upcoming album, I, Scvlptor, as “a metaphor for the endless process of shaping oneself.” When it comes to the sound of the song itself, he and the rest of the extreme-metal outfit shape the clay with dread-stirring symphonic ambiance, austerely gloom-swung heaviness and a backend bedlam of bee-buzzing guitar trills. Not a reinvention, but rather Behemoth contorting blackened death-metal sounds with a master’s touch. Brand of Sacrifice Seeing Red “I am the embodiment of hate.” Despite Kyle Anderson’s gargantuanly guttural admission on Brand of Sacrfice’s “Seeing Red” — the first piece of new music from the Canadian outfit since 2023 — fans of the long-running deathcore group will find plenty to love on this latest track. It’s super meta, lyrically alluding to not only 2018 album The Interstice LP but the band itself (“The Brand it bleeds”), and threads the needle with terror-thrashed expulsions, head-crushing breakdowns and dynamic unease. Motionless in White R.I.P. Feat. Skylar Grey We must pay our respects to the third and latest preview of Motionless in White’s forthcoming Decades album. While May s eye-gouging “Playing God” single with Corey Taylor was a brutal beatdown, Chris Motionless’ “R.I.P.” duet with vocalist Skylar Grey suggests that the “darkest places” of MIW’s sound can also be balladic. A tragi-rocking goth-metal love song scented with grave soil, candlewax and regret, it’s a potent heartbreaker on par with past Motionless fan faves like Eternally Yours and Another Life. No Cure Slowly Turning Blue On a pure aesthetic level, Alabaman straight-edge hardcore force No Cure put on a ruthless display with “Slowly Turning Blue,” absolutely pinchmaxxing harmonic tension out of the piece with their B.C. Rich guitars. What’s even heavier are the song’s lyrics reflecting the ongoing opioid epidemic, vocalist Blaythe Steuer steering himself through lines reflecting addiction struggles, O.D.’s and the horror of potentially finding a loved one “slowly turning blue” after a relapse. thrown rehearsed Early into the noise-spiraling, one-note mosh verse of thrown’s new single “rehearsed, vocalist Marcus Lundqvist point-blank screams at us with unbridled fury: “What the fuck is up with that sobbing?” Our answer is that the always-stomping Swedish outfit’s utter heaviness consistently brings up the teary-eyed feels. And while Lundqvist says his “heart is like a light switch,” we can’t turn off the emotions this one’s stirring up. Beautiful, really. On top of the song’s 1,000-ton bench-press of a groove, we’re also going to shout out the weirdo sonic accoutrement of what sounds like a plastic pool noodle whirly-birding itself from speaker-to-speaker.
Allt have shared their newest single, "Omerta," off of the band's forthcoming record, Ataraxia, out on July 31.
Swedish progressive metalcore ensemble Allt has unveiled a music video for "Omertá", the second preview tune off their forthcoming long player Ataraxia.
Your second blast of "Ataraxia".
Allt have announced a winter European/UK headlining tour in support of their newly revealed sophomore album Ataraxia.The Swedish progressive metalcore band will release the Century Media full-length on July 31st and...
Ataraxian touring.
Swedish progressive metalcore outfit Allt have released "Snowblind", the first single from their upcoming sophomore album Ataraxia, due out on July 31st via Century Media Records. You can watch the music video below.
Allt have released a new single titled "Snowblind" alongside an official music video. The Swedish progressive metalcore band will release their new album Ataraxia on July 31st via Century Media. Pre-order Atara...
Here at Revolver, we re always on the hunt for new songs to bang our heads to — indeed, it s a big part of our jobs. With that in mind, here are the tracks released this week in death-metal demo upgrades, chilly djent ballads, paparazzi-punching hard rock and more that have been on heavy rotation at Revolver HQ. For your listening pleasure, we ve also compiled the songs in an ever-evolving Spotify playlist. 156/Silence No Arms While we catch a whiff of Korn in the “Blind”-style pre-chorus groove of 156/Silence newest cut, “No Arms” is likewise an illuminating look at what else the Pittsburgh unit bring to their worlds-building metalcore. From industrialized synth-patter, to Teflon riff brawn, to the soaringly melodic vocal, the tune is armed to the teeth with the good stuff. Catch the track live if you can, as 156/Silence are still on tour as part of Thornhill’s Mercia Tour — which is proudly presented by Revolver. Allt Snowblind “Transgressive” is the first word Allt vocalist Robin Malmgren coos on the Swedish band’s latest single, which fits, considering this isn’t a stone-cold Sabbath cover. The band defy expectations in a few other ways, too, with the melodically djent-pounding “Snowblind” arriving decidedly sweeter than some of the bleakest bits of 2024’s post-apocalyptic From the New World album. Then again, Malmgren also spends time singing about the ice cracking beneath him, and those riffs do ring heavy. They may yet pull the ground out from beneath us with the rest of this summer’s Ataraxia collection. breakkaway Run away with me “Run away with me” finds multi-genre manipulators breakkaway juicing disparate sounds into a unique pool of sound. Broken code glitch-core production tics, harmonic-popping guitar tones recalling Polyphia at their most emo, and big-chugging explosions support Jessica Li’s coming-of-age lyrics about the devastation of not getting a birthday text from your crush. While the musical aesthetic is mostly delicate, breakkaway reinforce how teenage heartbreak can be super brutal. No Cure Convulsing in the Dark “Tell me why you deserve to keep breathing.” Straight-edge Alabamans No Cure go for the throat across “Convulsing in the Dark,” vocalist Blaythe Steuer literally screaming about wrapping a mitt around someone’s larynx before gouging their eyes out and plunging them into a lasting darkness. It’s visceral, as are the disgustingly pinched-out tones and gargantuan chugs supporting Steuer’s tirade. The kind of metalcore grotesquerie that — in honor of No Cure’s slippery video co-star — makes us want to gyrate to the groove in a pool of rancid raspberry jam. Left to Die Archangel Metal icon Chuck Schuldiner’s earliest songs will live on through the new, studio-recorded album from Death-devotees Left to Die — the supergroup featuring Death co-founding guitarist Rick Rozz, Spiritual Healing bassist Terry Butler and Gruesome members Matt Harvey and Gus Rios. “Archangel” has floated around through live recordings and patchy demo dubs for decades, and it rips eternal. Fear not, the new blitzing studio redux retains all of its hellacious grit, buzzsaw guitars trilling like a Phantasm ball on the fritz whilst Harvey rasps Schuldiner-style. The Initium Mortis album will feature a mix of re-recorded songs from both Death and Rozz and Schuldiner’s pre-Death incarnation, Mantas. Sounds heavenly. The Warning EGO The sisters Villarreal can do no wrong this year, and the Warning’s latest single may well be their best of 2026 — at least so far. “EGO” starts strong with a polyphonic octave-warped hook and a devilishly danceable backbeat, then guitarist Dany spikes through defiantly noisy accents. The Spanish-sung single offers cool, FAFO warnings to anyone steppin’ to the sisters (“Yo no ladro, yo solo muerdo”) before drummer Pau throws some monster screams our way. “EGO” is built to keep the haters in check. It’s killer.
That new album is headed for a July release.