Ozzy Osbourne's throne from Black Sabbath's final performance will go on display at the Birmingham Museum Art Gallery beginning July 1st.Osbourne used the throne while performing both his solo material and Bla...

Music Intelligence
2026-07-22
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Ozzy Osbourne's throne from Black Sabbath's final performance will go on display at the Birmingham Museum Art Gallery beginning July 1st.Osbourne used the throne while performing both his solo material and Bla...
The Ozzy Osbourne and Black Sabbath exhibition will have a new addition that will be available for viewing shortly.
The most metal seat of all time will be on display at the Ozzy Osbourne: Working Class Hero exhibition
Ozzy Osbourne's iconic throne, last seen at the "Back To The Beginning" concert, will be on display at Birmingham Museum Art Gallery in his home city to coincide with the anniversary of his final gig and his death in July last year. The black gothic-style throne will be a special addition to t...
A towering new statue honoring the late Ozzy Osbourne has been unveiled at this week's Hellfest Open Air in Clisson, France. Created by artist Philippe Pasqua, the sculpture stands six meters tall. Ozzy's widow Shar...
Ozzy Osbourne adına hazırlanan devasa bir heykel, 18-21 Haziran tarihleri arasında Fransa'nın Clisson kentinde düzenlenen Hellfest festivalinde ziyaretçilerin beğenisine sunuldu. Avrupa'nın en büyük metal festivallerinden biri olarak kabul edilen Hellfest'te sergilenen altı metre yüksekliğindeki eser, resim, heykel ve çizimleriyle tanınan Fransız çağdaş sanatçı Philippe Pasqua tarafından tasarlandı.17 Haziran Çarşamba günü Sharon Osbourne, festival girişine yerleştirilen heykelin görüntülerini s
Jack Osbourne has responded to the backlash surrounding his attendance at the invite-only UFC Freedom 250 event at the White House.The June 14th event doubled as a celebration of the United States' upcoming 250th an...
Sharon Osbourne has shared a glimpse at the new tribute to the late king of heavy metal.
Created by French contemporary artist Philippe Pasqua, there's a brand new statue of Ozzy Osbourne at this year's Hellfest.
BMG, in partnership with Rhino Entertainment, will release the 40th-anniversary edition of RATT's third studio album, "Dancing Undercover", on July 31, 2026. This limited-edition gatefold LP features reimagined cover artwork, and a zoetrope vinyl with moving images of the iconic band's logo and the...
A massive new statue of Ozzy Osbourne was unveiled at this year's edition of Hellfest, which is taking place from June 18 through June 21. Hellfest is an annual open-air festival held in Clisson, France and one of the biggest metal festivals in all of Europe. The six-meter-tall statue was created by...
Jack Osbourne took to socials to address the mixed comments on the photos of him attending the UFC White House fight.
Jack Osbourne shares he was there for the fight and not for any political affiliation or endorsement.
UFC Freedom 250 was held on June 14 on the South Lawn of the White House as part of America's Quarter Millennium celebrations
"t was not a political event, or in my eyes, it was not. It was a f*cking fight at the White House. Who gives a sh*t?"
Jack Osbourne attended the official UFC fight that took place on the White House front lawn, drawing various mixed reactions from followers.
For many, Black Sabbath are the purest, primordial sound of metal music. And, indeed, the groove bassist Geezer Butler brought to the band — plunky, soul-searching melodicism with a slinky, sometimes sinister twist — is ground zero for rhythm-stringing in the genre. Notably, he pulsated through the earliest bits of the Sabbath catalog with an icon in its own right: the Fender Precision Bass “If there weren’t any Fenders, I’ve no idea what I would play. It’s like an extension of your hand,” Butler reveals in a new conversation with Foo Fighters’ Nate Mendel, as part of the guitarmakers’ latest “Lowdown on the Low End” episode celebrating the 75th anniversary of the P-Bass. Butler flung bass lines through the first three Sabbath albums — Black Sabbath, Paranoid and Master of Reality — while holding a pair of P-basses, cementing the Fender instrument’s place in the annals of heavy-metal history. Mendel suggests in the episode that the riffs in songs like “War Pigs, “Sweet Leaf” and more have become engrained in the fabric of metal, and have become “the sound of every Guitar Center.” A humble Butler notes, “Well, that was Tony [Iommi]… but this was the bass that backed Tony’s riffs up.” To celebrate the Diamond anniversary of the P-bass, Fender have launched a line of limited-edition models presenting the double-cutaway instruments with single-coil-spanky pickups, flametop finishes and more. All are touted as bringing together “classic Fender design and ingenuity with a modern flourish.” Revolver also had a chance to talk-up Butler on his love of the P-Bass, further discussing how his hands of doom first got their rhythm, the Canadian customs guard that brought the hammer down on Sabbath’s music, and more. What led you to pick up a bass in the first place?GEEZER BUTLER I have been in a band since I was 15 and playing rhythm guitar, mostly Beatles, Kinks, Cream [and John] Mayall covers. When I formed a band with Ozzy [Osbourne], Tony and Bill [Ward], we were mostly playing blues covers. There wasn’t room for a rhythm guitar, so I decided to switch to bass.Can you tell us about your first bass guitar? Whose riffs were you picking up as you were getting a feel for the fretboard?I bought a cheap [Teisco] Top Twenty originally, just to see if I could actually play bass. After a few gigs I felt that playing bass was right for me. I traded in my Fender Telecaster for an old, beaten-up P-bass. Since we were a blues band, I taught myself how to play 12-bar blues bass, but after I saw Cream, I played a lot of Jack Bruce bass lines, bending the strings like he did. In your talk with Nate Mendel, you pointed out that the P-Bass you’re holding is the one you’d played on Paranoid and Master of Reality. What had you played on the first album? And if it wasn’t a P-Bass, what made you make the switch?I played the old P-bass that I’d taught myself on. I always regretted trading that bass in for a new P-bass, but money was very scarce back then, and I couldn t afford to have two basses. The finish on the body of that second bass is wildly worn down on the front — you’ve definitely put the work in on that instrument. Is that damage natural wear and tear, or have you had any major accidents with that bass over the years?Its natural wear and tear — it was my only bass through two albums and several tours, and transport wasn’t like it is now. It was frequently loaded into the hold on planes with regular luggage, so it was roughly handled. The fretboard was actually smashed with a hammer by someone when it was flown from Detroit to Toronto. How many different P-basses have you recorded with over the years?Only those two on Sabbath albums, and one I bought specifically for Ozzy’s No More Tears album. Can you tell us about the most recent acquisition? Is it one of these 75th anniversary models?I’m still waiting for the 75th anniversary bass — hurry up, Fender! My most recent acquisition is a 1953 P-bass, in mint condition. It cost a bit more than the 120 pounds I paid for that first P-bass! What are the characteristics that make the P-bass stand out to you the most?To me, I love the balance of the bass. It just sits right on me. I also love the simplicity of the controls, so easy to go from full bass to treble, and from low to full volume. The wider fret board really suits my playing style, lots of room to bend notes. Ryan Piorkowski What’s your favorite Sabbath bass line that you specifically wrote on a P-Bass?That’s incredibly hard to say. Maybe “War Pigs,” which really gave me the chance to go off on a tangent and fill things in behind Tony’s guitar and Bill’s drumming — especially in the guitar solo section. Is there anything you can share about where you’re at with your next solo album? How far along are you in the process?I have been writing more than ever. Over the years I have written tons of songs, and now I’ve had the time to update everything. Most of the songs have rough vocals on them, but on some of the newer stuff I have been using an AI singer, just to see how my lyrics fit with the music I have been writing. When it works, it’s much easier to give the human singers the ideas I have. Then they can put their own versions on my songs. Who is your favorite bass player right now, heavy or otherwise?My favorites have always been Jack Bruce, James Jamerson and Paul McCartney — three totally different players. When I saw Cream, Jack Bruce amazed me with his playing. His whole approach was almost like playing a lead guitar, and Cream were one of the first bands I’d seen with just one guitar, no rhythm guitarist or keyboard player. Paul McCartney’s bass playing is like no other, some of his walking bass lines are pure genius. “Something” has my favorite bass lines ever. Jamerson was another genius. His bass playing with Motown absolutely makes those songs.You’ve written tons of memorable lines over the years. Whether it’s Sabbath, GZR, other projects or even someone else’s song, do you have a go-to riff you play the second you put a bass in your hands?Probably “N.I.B.,” because it’s easy to play and it was the first riff I ever wrote. This interview has been edited and condensed for flow and clarity.
Jack Osbourne is facing backlash after attending *UFC Freedom 250* at the White House on June 14th and sharing photos from the event on social media.The son of late Black Sabbath frontman Ozzy Osbourne posted alongs...
Earlier this spring, Jack stated that celebrities should "keep their mouths shut" when it came to politics.
A review of Eternal Echo of the Fall by Malist, available June 12th worldwide via Flowing Downward.